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・ Tommy Prest
・ Tommy Preston
・ Tommy Price
・ Tommy Price (born 1907)
・ Tommy Priestley
・ Tommy Prim
・ Tommy Prince
・ Tommy Prothro
・ Tommy Proulx
・ Tommy Puett
・ Tommy Purcell
・ Tommy Quaid
・ Tommy Quickly
・ Tommy Quinn
・ Tommy Rainone
Tommy Rall
・ Tommy Ramone
・ Tommy Randall
・ Tommy Randles
・ Tommy Raub
・ Tommy Raudonikis
・ Tommy Reamon
・ Tommy Reasoner
・ Tommy Redding
・ Tommy Rees (American football)
・ Tommy Rees (rugby)
・ Tommy Refenes
・ Tommy Reilly (harmonica player)
・ Tommy Reilly (Scottish musician)
・ Tommy Reis


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Tommy Rall : ウィキペディア英語版
Tommy Rall

Thomas Edward "Tommy" Rall (born December 27, 1929 in Kansas City, Missouri) is an American ballet dancer, tap dancer and acrobatic dancer who was a prominent featured player in 1950s musical comedies. He later became a successful operatic tenor in the 1960s, making appearances with the Opera Company of Boston, the New York City Opera, and the American National Opera Company.
==Biography==
Rall was raised in Seattle. As a child he had a crossed eye which made it hard for him to read books, so his mother enrolled him in dancing classes. In his early years he performed a dance and acrobatic vaudeville act in Seattle theaters and attempted small acting roles.
His family moved to Los Angeles in the 1940s, and Rall began to appear in small movie roles. His first film appearance was a short MGM film called ''Vendetta.'' He began taking tap dancing lessons and became a member of the jitterbugging Jivin’ Jacks and Jills at Universal Studios.〔(【引用サイトリンク】url=http://movies.nytimes.com/person/58568/Tommy-Rall/biography )
Rall joined Donald O'Connor, Peggy Ryan and Shirley Mills in several light wartime Andrews Sisters vehicles including ''Give Out, Sisters'', ''Get Hep to Love'', ''Mister Big'', and others. He also appeared in the films ''The North Star'' and ''Song of Russia''.
Rall took ballet lessons and danced in classical and Broadway stages (''Milk and Honey'', ''Call Me Madam'' and ''Cry for Us All''). He is best known for his acrobatic dancing in several classic musical films of the 1950s, including ''Kiss Me, Kate'', ''Seven Brides for Seven Brothers'', ''Invitation to the Dance'', ''Merry Andrew'' and ''My Sister Eileen''.
Rall's film career waned as movie musicals went into decline. He had a role in the movie ''Funny Girl'', as "The Prince" in a parody of the ballet ''Swan Lake''. On Broadway he danced to considerable acclaim as "Johnny" in Marc Blitzstein and Joseph Stein's 1959 musical ''Juno'' (based on Sean O'Casey's play ''Juno and the Paycock'').〔(【引用サイトリンク】url=http://movies.nytimes.com/person/58568/Tommy-Rall/biography )
Rall was highly respected by his contemporaries -- including dance greats Gene Kelly and Donald O'Connor -- with the latter describing Rall as one of the “greatest dancers living...above Astaire and Kelly.”

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